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設計單位? 設計秩序

項目地點? 廣東深圳

建成時間? 2023年10月

建筑面積? 500平方米

本文文字由設計單位提供。

本項目位于深圳周邊一處風景優美的自然景區內，建筑形式為上下疊拼的下層別墅。這一特殊的建筑形態使得我們只能對底部兩層空間進行設計改造，而上部的鄰居建筑仍將保留原有的造型特征。整個別墅區的整體風格為熱帶風情，采用暖色涂料、深棕色線腳和斜屋檐設計，如何讓新設計融入這一環境，成為項目的首要挑戰。

This project is located in a picturesque natural scenic area near Shenzhen, with the architectural form being a two-level villa with stacked units. This unique building shape limits our design scope to the bottom two floors, while the upper neighboring buildings will retain their original features. The overall style of the villa community is tropical, featuring warm-colored paint, dark brown trim, and sloping eaves. The primary challenge of the project was integrating the new design into this environment.

業主的家庭成員包括中年夫婦二人，青年阿姨一人，“老中青”貓狗三只。業主希望通過對建筑的整體改造，最終獲得約500平方米的居住空間，以滿足品質化的生活追求。

The owner's family includes a middle-aged couple, a young housekeeper, and three cats and dogs of varying ages. The owner hopes to excavate approximately 500 square meters of living space to meet their pursuit of quality living aspirations.

在考量建筑風格、鄰里環境、結構限制、物業規范和業主的生活愿景后，我們快速提出了一套理性的建筑改造概念。別墅的居住體驗與公寓大不相同，設計需兼顧私密性與開放感的動態流線，同時滿足多種功能的布局需求。為此，我們采用了“空間優先、功能適配”的設計策略，先營造整體的建筑空間，再依據其特點配置各類生活功能。

After considering architectural style, the neighborhood environment, structural constraints, property regulations, and the owner's lifestyle vision, we quickly proposed a rational architectural renovation concept. The living experience in a villa differs greatly from an apartment, and the design needs to balance privacy with an open dynamic flow while meeting various functional layout needs. For this, we adopted a "space-first, function-adapted" design strategy, creating the overall architectural space first, then configuring various living functions based on its characteristics.

▲ 項目視頻介紹

考慮到建筑上方鄰居房屋造型無法調整，我們決定將當前的屋檐與線腳元素簡化為幾何形體，呈現出低調的“底座”姿態，以和諧地融入周邊環境。設計核心為三層疊加的盒子概念，我們將項目的設計范圍抽象為三個盒子，上中下依次堆疊，并通過調整它們的相對位置和虛實關系，創造多維的空間效果。

Given the neighbor's building shape above cannot be adjusted, we decided to simplify the eaves and trim elements into geometric forms to present a subtle "base" stance, harmoniously blending with the surrounding environment. The design core revolves around a three-layer stacked box concept. We abstracted the design into three boxes stacked in order from top to bottom and adjusted their relative positions and relationships to create a multi-dimensional spatial effect.

最上層的盒子是鄰接鄰居房屋的部分，也是視覺上最顯著的體塊。為了增強這一部分的存在感并清晰劃分邊界，我們強調其實體感，使其與鄰居的建筑形成鮮明對比。中間的盒子，即首層的部分，經過“推出”處理，使得二層盒子凌空，從而在一層創造出連接前后院的開放空間。一層被推出的盒子則進一步下沉，與位于地下的第三個盒子結合，形成了一個獨特的下沉庭院。三個盒子以不同的姿態和相互交疊的方式，構建出虛實對比強烈的空間“骨架”。

The top box, adjoining the neighbor’s house, is the most visually prominent volume. To enhance its presence and clearly define boundaries, we emphasized its solid form, creating a sharp contrast with the neighboring structure. The middle box, representing the ground floor, was “pushed out,” allowing the second-floor box to cantilever above, thereby creating an open space that connects the front and rear courtyards on the first floor. The first-floor box was further recessed, merging with the third, underground box to form a distinctive sunken courtyard. These three boxes, positioned with varying gestures and overlapping relationships, construct a spatial “framework” with striking contrasts of solidity and openness.

基于這三大盒子，各樓層的空間屬性和功能也自然分化。首層是面積最大的生活空間，包含起居室、餐廳、影音室等日常社交場景，并為阿姨提供獨立的生活和儲物空間。這里的設計著重于動靜分離和內外聯通，封閉的盒子內部安置了必要的生活功能，開放的區域則營造出與庭院、花園相連的“環境的空間”。

Based on these three boxes, the spatial attributes and functions of each floor naturally evolve. The first floor, being the largest living space, includes a living room, dining room, media room, and other daily social areas, along with a separate living and storage space for the aunt. The design here focuses on separating movement from quietness and connecting the interior with the exterior, with enclosed boxes housing essential living functions, while the open areas integrate the garden and courtyard into the "environmental space."

二層則承擔著更私密的居住功能。憑借其更高的視野和較高的隱私性，二層布局為主臥、衛浴、更衣室和書房。通過窗戶的開口設計，室內不僅享有良好的景觀視野，也確保了隱私不受干擾。這里的主題可稱為“私有的空間”，在寧靜中為業主提供心靈的庇護。

The second floor serves more private residential functions. With its elevated views and greater privacy, it houses the master bedroom, bathroom, dressing room, and study. The window design ensures both good views and privacy. The theme of this space is "private space," providing a serene retreat for the owners.

地下一層的設計受益于下沉庭院的引入，避免了傳統地下空間的封閉和壓抑感。該區域包含榻榻米房間、儲物室和其他備用生活設施。這里與自然光有更多的互動，隔絕了外界的干擾，具備安靜的環境氛圍，因而被我們賦予了“內心的空間”這一主題。

The basement level benefits from the sunken courtyard's introduction, avoiding the closed, oppressive feeling typical of traditional underground spaces. This area includes a tatami room, storage room, and other auxiliary living facilities. It interacts more with natural light, isolating external disturbances and offering a quiet atmosphere, hence we named it the "inner space."

在精準賦予了各個空間適配的主題后，我們進一步仔細打磨每個空間的細節：照明點位、材質分縫對齊、空調出風口的形式、開關和智能控制系統的匹配等等，力圖在每一處添加充足的設計感。為了落實每一處設計點，我們甚至與參與項目的各方都發生過激烈的溝通。我們希望通過更強的控制力，實現令人滿意的設計作品。

After carefully assigning themes to each space, we meticulously refined the details: lighting placements, material seam alignments, air conditioning vent forms, and the matching of switches and smart control systems, striving to add sufficient design sense to every corner. We even engaged in intense discussions with all parties involved in the project to ensure every design element was realized. We aimed to achieve a satisfying design by exercising strong control over every aspect.

然而，施工未完成，一切存在變數。

However, construction remains unfinished, and there are still variables to consider.

從建筑結構成型，室內施工階段起，業主的深度介入為設計帶來了新的活力和挑戰。在一次次親身經歷了現場的空間感受后，他們也對尚未完工的居所產生了更多的想象。業主的參與從最初的旁觀者，逐漸轉變為共創者的角色，而我們則盡量在設計的理性表達和業主感性的喜好之間找到平衡點。設計方案在局部的功能布局、材料的選擇、供應商的配合、現場施工的標準等多處都進行了再次調整。這種設計的“二次生長”，在某種程度上讓空間更具個性化和生命力。每一次討論和調整，都是一次理性與感性的博弈，這也成為了項目最具戲劇性的轉折。

From the formation of the building structure to the interior construction phase, the owner's deep involvement brought new energy and challenges to the design. Through first-hand experience of the spatial atmosphere, the owners developed more ideas about the unfinished residence. The owner's role shifted from an observer to a co-creator, and we tried to strike a balance between the rational expression of the design and the owner's emotional preferences. Adjustments were made to the functional layout, material choices, supplier cooperation, and on-site construction standards. This "secondary growth" of the design has, in some ways, added more personality and vitality to the space. Each discussion and adjustment became a contest between reason and emotion, which turned out to be the most dramatic twist of the project.

設計的核心從單純的“建筑邏輯”轉向“共生邏輯”。在這場對話中，設計的專業性被驗證，而業主的生活智慧也不斷涌現。某種程度上，這種“設計的開放性”正是項目的魅力所在。盡管在一些節點上，設計的純粹性被部分稀釋，但取而代之的是一種更真實的、鮮活的居住狀態。這不再是單一的“設計師之作”，而是居住者與設計師共同締造的作品。

The design's core shifted from a pure "architectural logic" to a "symbiotic logic." In this dialogue, the professionalism of the design was tested, while the owner's life wisdom also emerged. In a sense, this "design openness" is what makes the project so captivating. Although the purity of the design was diluted at certain points, what replaced it was a more authentic, vibrant living state. It is no longer just a "designer's creation," but a work co-created by the occupants and the designer.

半年后，我們再次探訪這處別墅，發現它早已超出了最初的想象。家具的布置、軟裝的調整、甚至花園的每一處植物，都是業主親手挑選和安排的。居住的氣息如此鮮活，幾乎讓人忽略了最初設計所塑造的建筑氛圍。這并非一種遺憾，而是一種建筑設計的最終歸宿——將建筑的“完成”留給生活本身。這套別墅，已經從一件靜態的“設計作品”轉變為一處活態的“生活容器”。

Six months later, when we revisited the villa, we found that it had far exceeded the original imagination. The arrangement of furniture, adjustments to soft furnishings, and even each plant in the garden were personally selected and arranged by the owners. The living atmosphere was so vivid that it almost made one overlook the architectural ambiance created by the initial design. This is not a regret, but rather the ultimate destination of architectural design — leaving the "completion" of the architecture to life itself. This villa has transformed from a static "design piece" into a dynamic "living container."

設計圖紙 ▽

完整項目信息

項目名稱：三盒一宅

項目地點：廣東深圳

項目功能：住宅

設計方：設計秩序

設計團隊：董倩伶、馮晨

建筑面積：500平方米

攝影師：金偉琦

設計時間：2017.9—2023.10

施工時間：2018.3—2023.10

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