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BIM建筑|二分與鏡像:赤飯餐廳 / 邊界空間設計

發(fā)布于:2025-03-14 19:08:16

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餐廳區(qū)域? 攝影:汪敏杰
夾層空間 攝影:汪敏杰

設計單位? 邊界空間設計

項目地址? 浙江省杭州市

建成時間? 2024年

建筑面積? 50平方米

撰文? 黃三秀


 

二分與鏡像

——“赤飯”餐廳設計小記

 

項目不大,卻很難用文字來描述整體,索性截取空間的片段,作碎片化的亂語,試圖在局部中捕獲和構(gòu)建整體的感受。或者,空間本就是需要體驗的,氛圍只存在于空間中……

 

局部的碎片:

 

洄轉(zhuǎn)的流線? 鏡像的入口

縫中的窗景? 對角的架空

赤色的構(gòu)架? 內(nèi)向的旋梯

三角的展區(qū)? 溫柔的光線

 

局部空間? 攝影:汪敏杰

“赤飯”于2024年設計施工完成,50平方米大小,是僅有14個坐位的私廚餐廳,由主理人蘇打與母親一起經(jīng)營。初來勘場,是初夏的上午,驕陽如火。隨導航轉(zhuǎn)了幾圈,不得其門,最終主理人蘇打來車場接我們。

Designed and completed in 2024, "Chifan," a 50-square-meter private kitchen restaurant with just 14 seats, is operated by its owner Su Da and his mother.Our first site visit took place on a blazing early summer morning. After circling the area several times with the navigation, we still couldn’t locate the entrance. In the end, Su Da came to the parking lot to escort us.

 

標識與餐廳空間? 攝影:汪敏杰

場地在一個架空社區(qū)的四層,底商屋頂平臺上的獨棟,七米見方的方盒子建筑,東側(cè)有鄰實墻,剩余三面有花園與高窗。北側(cè)入戶,室內(nèi)下沉,內(nèi)部層高四米有余,視線通透,臨窗有樓群對望,光照充足。原建筑入口北進,正對園口,三兩步直逼大門,側(cè)向花園成了冷落的邊區(qū)。入戶直落幾步的臺階稍顯唐突。

Situated on the fourth floor of an elevated community, the site is an independent structure resting atop the rooftop of a commercial building. Measuring seven meters per side, this box-shaped building is bordered by a solid eastern wall from a neighbor, with the other three sides open to gardens and tall windows. The entrance, positioned on the north side, descends into a sunken interior. With a ceiling height of over four meters, the space enjoys unobstructed sightlines, a view of buildings facing the windows, and ample natural light." The original building entrance faced north, directly toward the garden entrance, with the gate only a few steps away, leaving the side garden as a neglected area. The steps leading down to the entrance felt abrupt.

 

從室內(nèi)看入口? 攝影:汪敏杰

盡管如此,這些場地條件卻并未成為限制,反而成為我們創(chuàng)作的起點。設計通過迂回的空間動線,對角的幾何切分,以及對自然光的引導與控制,將這50平米的場地轉(zhuǎn)化為一件具有雕塑感的餐飲空間。

These site conditions did not become limitations but instead served as the starting point for our creation. Through meandering spatial moving lines, diagonal geometric segmentation, and the guidance and control of natural light, this 50-square-meter site was transformed into a sculptural dining space.

 

餐廳區(qū)域? 攝影:汪敏杰

 

洄轉(zhuǎn)的流線

Meandering Path

 

我們改入口到側(cè)面園中西進,疏解逼仄的入口關系,迂回花園中游逛而來。外部可盤活花園,內(nèi)部有距離折轉(zhuǎn)臺階下行,既解決戶外地面與室內(nèi)夾層間不足人行的尺度關系,又能在由外至內(nèi)的幾度空間轉(zhuǎn)合中,營造游園般的身體感知。

The entrance is shifted to the western side of the garden, alleviating the cramped entrance constraints and allowing visitors to meander through the garden before entering. Externally, the design revitalizes the garden space, while internally, staggered steps resolve the height discrepancy between the outdoor ground and the indoor mezzanine, creating a garden-like sensory experience through several spatial transitions from outside to inside.

 

入口空間設計? 攝影:汪敏杰

 

鏡像的入口

Mirrored Entrance

 

入口部分設內(nèi)外鏡像雙生結(jié)構(gòu),外有懸挑踏步、玄關半墻、鋼板雨檐三項圍合,內(nèi)有雨檐、“L”形折墻、臺階踏步對仗,引導臺階下行。內(nèi)外半墻與二層樓板同高,可避入口人行視線,僅見墻內(nèi)圍景。為設定奧曠之意,借欲揚先抑之法。

The entrance is structured with a mirrored dual design, featuring cantilevered external steps, a half-height foyer wall, and a steel rain canopy, mirrored internally by a canopy, L-shaped wall, and steps guiding descent. The interior and exterior half-walls are level with the second-floor slab, blocking direct sightlines from the entrance while allowing only a framed interior view. This design engenders a sensation of enigma and profundity, employing a stratagem of anticipatory development.

 

鏡像入口設計? 攝影:汪敏杰

 

縫隙的窗景

Slit Window View

 

原入戶門封堵,留下部透窗,窗外一石,置于戶外隔墻夾縫,留有天光上部散入。隙中作景,以破夾道逼仄、幽暗、無趣之題。

The original entrance door is sealed, leaving a lower transparent window. A stone is placed outside in the gap between partition walls, letting skylight scatter in from above. Creating a view within the gap helps break up the cramped, dark, and uninteresting nature of the narrow passage.

 

縫隙的窗景? 攝影:汪敏杰

 

對角的架空

Diagonal Elevation

 

夾道轉(zhuǎn)身,餐區(qū)挑空,高窗、柔光撲面,豁然開朗,別有洞天新世界,也始得見餐廳全貌。方形盒子空間呈對角切分,一半設夾層,一半留空。

Turning past the narrow passage, the dining space opens up with a high ceiling, high windows, and soft light, creating an atmosphere of openness and freshness. Then the restaurant reveals its full layout: a square box space split diagonally, with one half incorporating a mezzanine and the other remaining open.

 

對角的架空? 攝影:汪敏杰

 

赤色的構(gòu)架

Crimson Structure

 

“赤飯”主理人極愛赤色,也取“赤”“吃”諧音。我們的鋼結(jié)構(gòu)及樓梯皆取赤色,結(jié)合裸露消防管道共同呼應,在整體用材外增一抹濃艷。

The owner of "Chifan" harbors a strong preference for crimson, a color that also phonetically resonates with "eat" in Chinese. Both the steel structure and staircase are painted in crimson, harmonizing with the exposed fire prevention pipes and adding a touch of vibrant hue to the overall materials.

 

裸露的赤色消防管道? 攝影:汪敏杰

 

內(nèi)向的旋梯

Inward Spiral Staircase

 

通二層旋梯設在對角斜線的中點,也是整個方形場地的中心。高區(qū)正面閉合,低區(qū)內(nèi)向開口,外部鐵灰,內(nèi)部赤紅,若平靜外表下鮮活血肉般的生命激情。

The spiral staircase leading to the second floor is placed at the midpoint of the diagonal lines, serving as the center of the entire square site. The upper section is closed at the front, while the lower part opens inward, with an iron-gray exterior and a crimson interior, suggesting a passionate vitality beneath a calm exterior.

 

赤色旋轉(zhuǎn)樓梯? 攝影:汪敏杰

 

三角的展區(qū)

Triangular Exhibition Area

 

設為展區(qū)的三角形夾層剛好為場地的一半,與挑空區(qū)有扶欄相隔。西、南兩窗光線經(jīng)棉布窗簾過濾、頂部波浪板反射,最后在室內(nèi)漫射開來。三角夾層不定期展覽陶藝、餐具、手工、綠色食品,其北向有窗對住宅樓,未免雙向互擾,遂置半透陽光板濾光隔視,另沿窗設回收舊木長臺以陳展品。

The mezzanine, shaped as a triangle and occupying half of the square, serves as an exhibition area. It is separated from the open void by a railing. Natural light from the west and south windows is softened through cotton curtains and diffused inward by the undulating ceiling panels. The triangular mezzanine periodically exhibits ceramics, tableware, handmade crafts, and green food. As windows on the north side face residential buildings, a semi-transparent polycarbonate panel is used to filter light and maintain privacy. A long table made of reclaimed wood is placed along the window to showcase the exhibits.

 

三角展區(qū)? 攝影:汪敏杰

 

溫柔的氛圍

Gentle Atmosphere

 

餐廳的整個空間都籠罩在濾過的漫射光線中,地面的深色啞光、涂抹過蜂蠟油的暖潤舊木、水泥板的清冷銀灰、旋梯結(jié)構(gòu)的紅色油漆、橫窗外的野莽草青,溫潤質(zhì)樸,和煦溫柔。

The entire space of the restaurant is enveloped in filtered diffused light, with the matte finish of the dark floor, the warm smoothness of old wood coated with beeswax oil, the cool silver-gray of the cement panels, the red paint of the spiral staircase structure, and the wild green grass outside the horizontal windows all contributing to an atmosphere of warmth, simplicity, and harmony.

 

溫柔的空間氛圍? 攝影:汪敏杰

止于發(fā)文,餐廳已經(jīng)營數(shù)月,在主理人的細心照料中,生意穩(wěn)定,人氣高漲,很多時間需定位留座。勘場之初那恐因場地內(nèi)處社區(qū)而人流不足之心得以寬慰松解。健康穩(wěn)定的經(jīng)營與綜合的空間氛圍,給予整個場所獨有的體驗。愿生意興隆。

As of this writing, the restaurant has been operating for several months, with stable business and growing popularity under the owner’s meticulous care, often requiring reservations. The initial concern that the location within the community might result in insufficient foot traffic has been relieved thanks to healthy and stable operation and a comprehensive spatial atmosphere, providing a unique experience for the entire place. May the business flourish.

 

空間細節(jié)? 攝影:汪敏杰

 

設計圖紙 ▽

 

一層平面圖? ?邊界空間設計
二層平面圖? ?邊界空間設計

 

完整項目信息

項目名稱:赤飯餐廳
設計單位:邊界空間設計

網(wǎng)站:www.boundaryspacedesign.com

公司地址:杭州市江漢路1785號雙城國際1號樓404-2室

項目完成年份:2024年

建筑面積:50平方米

項目地點:杭州市余杭區(qū)鯤順街沿街7號門4層423號

主創(chuàng)建筑師:黃三秀

設計團隊: 黃三秀、高巍東、施甫、裴錦濤

委托方: 赤飯餐廳

施工:奕賦築造

材料:混凝土纖維板、陽光板、不銹鋼、回收木材

品牌: Vitra、Flos、西頓

撰文:黃三秀

項目攝影:汪敏杰


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